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Yamaha DXS18XLF White

Yamaha DXS18XLF White

Yamaha - DXS18XLF White

Artnr: IDS0096932
Tarneaeg: 6-11 tööpäeva.

Yamaha
2929.00 EUR/tk

Igakuine kuumakse alates 90.58 euro

Teave:

The whtie Yamaha DXS18XLF is a powered subwoofer designed for extending the low frequency of full-range speakers and is well suited for use with any of the DZR-series powered loudspeakers. The 1600W Class-D amplifier powers the 18" woofer to provide a frequency range of 30 to 150 Hz (-10 dB) with a maximum SPL of 136 dB.

The onboard D-XSUB LF 96 kHz DSP processor provides total bass management. The Normal mode is ideal for a balanced low-frequency response, while Boost mode provides a tighter and more focused bass with some extra punch. Xtended LF mode drops the low-end frequencies down even further for large bottom end. If using two or more subwoofers, the selection of Cardioid mode can effectively reduce stage volume, while increasing low-end output directed at the audience.

The rear panel offers two combo XLR-1/4" inputs with XLR thru/outputs and dedicated level controls. A USB port allows for system upgrades and preset configuration and backups. The Yamaha DXS18XLF ships with a standard IEC power cord.

General Features
Powered reflex subwooferWoofer: 18" with 4" voice coil
Ideal for low-frequency extension to all full-range loudspeakersMaximum SPL: 136 dB
Frequency range (-10 dB): 30 to 150 Hz
High-power 1600W Class-D amplifier module
Lightweight yet very durable plywood cabinet with premium grade Polyurea coating
Optional speaker cover (SPCVR-DXS18X) and wheel kit (SPW-1)

D-XSUB LF Processing
DXS XLF subwoofers are driven by 96 kHz high-power DSP processors and utilize dynamic EQ
Onboard D-XSUB LF processing provides total low-frequency managementNormal mode:  Set for ideally balanced low-frequency response
Boost mode: Provides a tighter and more focused bass with some extra punch
Xtended LF mode: Drops the low-end frequencies down even further for a large bottom end
Cardioid mode:Works with two or more subwoofers
Effectively decreases the sound pressure on stage while increasing the bottom-end output directed towards the audience
Results in a much cleaner stage monitoring environment